






Now based in New York City, I have lived abroad for the past four years, traveling extensively in England, continental Europe, Africa and the Middle East. During this time I have gathered unusual papers, both found and purchased, collected other ephemera and made rubbings to document my experiences and use in my mixed media art works.
Much of my work is influenced by Surrealism as well as the Dada movement, since I subscribe to many of the existential, coincidental and paradoxical tenants of these art movements.
Collage and mixed media are appealing since they allow the re-assembling of reality to suit my whims. I can easily re-invent, construct and deconstruct the world around me. I use many of their automatic and experimental techniques relying on chance and intuition to arrive at an image.
This image of a bit of "accordion book art" is from this year's Pool Art Fair, on through the weekend at the Flatiron Toshi Hotel (26th and Broadway). There lots and lots of exciting, intriguing works by emerging artists. The format, spread across the rooms of the hotel is a fun way to view the art and, for the most part, the artists are there to discuss their work in this less formal arrangement. Last year it was at the Gershwin Hotel in the same neighborhood. Free, they do suggest a donation.
This piece is a fine segue to my Inside Out book Collage Workshop that is happening 31 Mar-1 Apr at the Farmington Valley Art Center (http://artsfvac.org/) in Avon, CT. Join me for the fun of ripping apart a book and turning it into a work (or a series) of art.
A School of Visual Arts freshman class has a show of self-portraits up at their facility on West 21st. It is unique and impressive not only because of the age of the folks involved (did I mention they are freshmen?) but also for the technique. Evoking Chuck Close, all the portraits are composed of grid segments artfully developed and manipulated into a comprehensive whole. Its well worth stopping in to appreciate what these young artists are doing. Its free . . . and they're FRESHMEN!
Paula Chung's quilts, worked in silk with monofilament to extraordinary detail, are on display at the City Quilter on W. 25th Street, Manhattan. This is only one example from a show that causes your jaw to drop more and more as you move from quilt to quilt. no moatter what form of art you may THINK you like, you should go see this show.
This Russian Cookbook, with its Marc Chagall inspired cover, was a real thrift store find. Published in 1990 with over 400 recipes from the 15 republics of the former Soviet Union, it represents a fascinating bit of "history on the move". It also shows how extremely diverse the cultures and cuisines of the U.S.S.R. were and will, likely, remain for a very long time. Its packed with tidbits of information about techniques and variations that make it a fascination read in its own right - and, gratefully, no glossy pictures of finished dishes. Tonight I'm making "Farshirovanniy Rulet" which sounds much more exotic that the translation of "Russian Stuffed Meatloaf". But with eggs, scallions and sour cream additions, its one to which I'm really looking forward.
This a collage diptych of what I've been up to lately. The overlapping strips of hand-painted and found papers form sometimes surprising abstractions. Its always a bit of a mystery where this particular journey will end once begun. What do you think?
There are some fun bits of "transformational" art currently on display at Kathy Grayson's new gallery, The Hole on Bowery. Many are original, some transform classic works with overlays of witty snipits that remind me of the 2010 Banksy exhibition in Bristol, UK. All are great fun.
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This is Chester Higgens, a photographer I much admire for his images of the African culture. He emphasizes Ethiopia in is work.
This is his grouping of nine photos that did fine work in capturing the themes of the group show opening tonight at The Gallatin Galleries 1 Washington Place @ Broadway. Well worth a look if you're in the area . . . or even if you're not.
This pair was putting out some really good sound in Union Square. You don't see a dobro all that often. I especially liked that they worked without any amplification. Don't know about you but I'm getting a bit tired of buskers with electric guitars hooked up to car batteries.
208 West 29th Street
Suite 613
New York, NY 10001
I offer one and two-day workshops as well as extended classes over 6 to 8 weeks.
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Commission work is gladly accepted using my own papers or the client’s papers, colors, and images. I can work from an idea, a photograph or drawing The resulting work will be truly unique and a true collaboration.
Past commissions have been for a variety of clients including decorators, medical professionals and expatriates. A few samples are below.
Further information and prices on request.
An example commission
I started Never The Same Card Twice (NTSCT) while living in England. All cards are made on quality stock and are one-of-a–kind. None are printed.
Most are collaged cards which can be used for any occasion. The inside is left blank for your own message. Additionally, there are two holiday lines-one with traditional red and green and one for greetings of the season using non-traditional colors. An Easter line is also on offer.
Cards can be made to order using your materials or mine for invitations, thank you cards and announcements according to your specifications.
Further information and prices upon request.
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| by phone: | 352-219-9867 |
| by post: | 208 West 29th Street Suite 613 New York, NY 10001 |